|
Here are all the paintings of BADALOCCHIO, Sisto 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 4904 |
 |
Susanna and the Elders ggg |
c. 1609
Oil on canvas, 162,3 x 111,4 cm
Ringling Museum of Art, Sarasota |
| 4902 |
 |
The Entombment of Christ hhh |
c. 1610
Oil on canvas
Galleria Borghese, Rome |
| 4903 |
 |
The Holy Family 145 |
c. 1610
Oil on panel, 81.3 x 57 cm
Wadsworth Atheneum, Hartford
|
|
|
| BADALOCCHIO, Sisto
|
| Italian Baroque Era Painter, 1585-ca.1619
Italian painter and etcher. His formation as an artist took place within the Carracci circle. According to Malvasia, he may have attended the Carracci Academy in Bologna, before returning to Parma in 1600 as the pupil of Agostino Carracci when the latter entered the service of Ranuccio I Farnese, 4th Duke of Parma. After Agostino's death in 1602, Badalocchio and his fellow pupil Giovanni Lanfranco were sent by the Duke to Rome in order to complete their training in the studio of Annibale Carracci, who was then working in the Palazzo Farnese. Badalocchio remained with Annibale until the latter's death in 1609. He participated in most of the projects that occupied the studio assistants during those years, such as the frescoes on the walls of the Galleria in the Palazzo Farnese and those previously in the Herrera Chapel in S Maria di Monserrato, Rome (now detached and divided between Madrid, Prado, and Barcelona, Mus. A. Catalunya), although his precise share in them is still debated. His first signed works are etchings, one (1606) after the antique sculpture of the Laokoon (Rome, Vatican, Mus. Pio-Clementino) and 23 (1607, part of a series of 54 executed in collaboration with Lanfranco) after Raphael's frescoes in the Vatican Logge; they reveal the romanizing character of his training. Yet his independent paintings of this early period reveal the influence of Lanfranco, which was to last throughout his career; the lively play of light and shade suggests his allegiance to Emilian art.
|
|
